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Though the quality of the initial and the final cuts of a film is subjective, a scene or version of a scene in a film may have an adverse effect on the film as a whole. That forces producers of television serials to break up the acts in a manner that will (hopefully) make the viewer want to continue watching after the ad break and to avoid exceeding the stricter running time limits. Most programs are in either a half-hour or a one-hour timeslot.
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Depending on the station and the particular format of the show, that may or may not include opening credits or closing credits many ad-supported stations now "squish" the closing credits or force them into a split-screen to show more advertising. In television serials, however, running time becomes an even greater concern because of the strict timeslot limitations, especially on channels supported by advertisements, and there may be only 20 minutes of actual show per half-hour timeslot. In feature films, scenes may be cut to reduce the length of the film's theatrical cut. Ĭoncerns about running time may also cause scenes to be removed or shortened. Aired just a few months after the 9/11 attacks, the producers made edits to cut out shots of the plane visibly exploding. A scene in the pilot of 24 involved the destruction of a Boeing 747.
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The 2002 Fox series Firefly's original pilot episode (" Serenity", parts 1 and 2) had such a change made, with the original, less action-packed scene being replaced in the final cut of the episode but featuring on the later DVD box set release of the series, as one of several bonus features.There may be a fear of losing ratings, being punished by fines or otherwise, or having trouble finding advertisers. That is most common in the production of television series since networks and channels often must be mindful of how viewers, critics, or censors will react to programming. It may ask for it be altered, removed, or replaced. The studio or network planning to air or distribute it may be uncomfortable with a certain scene. Scenes are often removed from films at the request of a studio or network, or to reduce running time or to improve narrative flow.